album reviews

The Initiative

Take Me Home

Shawn Braley

Initiative’s craftsmanship isn’t to be ignored just because they’re playing power chords and octaves. The construction of a pop song is a science, and The Initiative were able to create an album filled with gems that build up, crescendo, and explode at just the exact moments they should.

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Mates of State

Mountaintops

Matthew MacDonald

Kori Gardner and Jason Hammel have always had two things in common: their love of music and their love for each other. After 10 years of marriage and two children, Mates of State return with their 7th studio album, Mountaintops.

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Shiny and the Spoon

Ferris Wheel

Darren C. Demaree

Highlighted by simple, beautiful tracks like “Killin’ the Flower” and “I Hear Ghost”, they are able to show you some prowess with the lyric, as well as an ability to step back at let the music deliver itself without too much interference.

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Red Hot Chili Peppers

I'm With You

Jason Turner

The problem with setting a high bar is the expectation that you will always be able to reach it. Although I’m with You is not the Chili Peppers’ best effort, it’s certainly not a failure.

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Heartsounds

Drifter

Aaron George

You know, normally I would look at an album like Drifter, the new release from Heartsounds, and write it off as rehash. But, I can’t lie, this band is doing something right and has managed to tame my cynicism.

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Viva Voce

The Future Will Destroy You

Brian Ahnmark

So from two-piece to four-piece to side project to two-piece again, it frankly doesn’t matter how many cooks are in the kitchen. So long as Kevin and Anita are stirring the pot, the meal is always delicious.

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Eddie Vedder

Ukulele Songs

Brian Ahnmark

Because these arrangements are so sparse, the effect of the overall work is necessarily based entirely on the strength of the songs. Good thing Mr. Vedder does this for a living and knows his way around a tune.

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Explosions in the Sky

Take Care, Take Care, Take Care

Brent Andermann

You know the point in a band’s career where they stop second guessing themselves and start making music for them? This is that time.

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The Black Swans

Don't Blame the Stars

Megan Torelli

I was impressed with the strange cohesiveness of the album itself, and how it came as a whole.. it could have been sloppy... but it was not. The songs and the premonition-like words fit together like glue.

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Wavves

King of the Beach

Aaron George

At their most upbeat, the songs on King of the Beach could be compared to the likes of Screeching Weasel or Violent Femmes, with their fast, pop-punkish rhythms and nasally, slightly whiny vocals that are centered largely on self loathing and not caring about things in general.

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Foo Fighters

Wasting Light

Brian Ahnmark

Finally, finally, finally, the Foo Fighters found the recipe to the magic potion. Wasting Light is the sound of a band shedding all preconceived notions and labels to instead write the songs that will move them – and then capture performances of those songs worthy enough to move us.

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The Black Keys

El Camino

Chad W. Lutz

The sound for El Camino was hard to pinpoint at first listen. My mind kept telling me, “This is the same album you’ve heard a hundred times before from them!” But that is precisely what remains so great about The Black Keys.

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Maria Taylor

Overlook

Darren C. Demaree

Though, at times, this album seems to get lost on the way to a greater purpose, Taylor, who might best be known for her work with other people (Bright Eyes, Crooked Fingers, Joshua Radin, Moby) is more than capable to execute a solid solo work, with “Overlook” she shows just that.

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Fruit Bats

Tripper

Chad W. Lutz

Nearly every song transcends the ordinary.

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Andrew Jackson Jihad

Candy Cigarettes, Capguns, Issue Problems and Such

Aaron George

They quietly released Candy Cigarettes, Capguns, Issue Problems and Such which is a collection of twenty two previously recorded, though possibly less well known tracks.

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Marianne Faithfull

Horses and High Heels

Jason Turner

I’ve heard Faithfull’s voice described as ‘lived-in’ and ‘bluesy,’ but nothing could have prepared me for the gravelly, pack-of-cigarettes-a-day performance on “Horses.” Faithfull’s rasp makes Macy Gray sound like a glass-shattering soprano.

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Dawes

Nothing is Wrong

Brian Ahnmark

Nothing Is Wrong was recorded largely live to tape, capturing at least a hint of the Dawes stage monster (which could never truly be harnessed on tape. Or Pro Tools. Or any recorded medium).

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Paleo

Fruit of the Spirit

Darren C. Demaree

This is a fun album, and one that shows that Paleo might have tapped into something to keep track of.

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The Civil Wars

Barton Hollow

Brian Ahnmark

Barton Hollow is what country music should sound like.

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Robbie Robertson

How To Become Clairvoyant

Eamon Murphy

In anyone’s book, 13 years is a long time to wait for follow up an album, and that time has afforded Robbie Robertson plenty of opportunity for reassessment of his musical direction.

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Mountain Goats

All Eternals Deck

Megan Eidelbach

I recall hearing, in the past, listening to some of the Mountain Goats’ previous albums, however, I was taken aback by the beauty and the exquisite production and music of the Mountain Goats' March release All Eternals Deck, their first by the Merge label.

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William Fitzsimmons

Gold In the Shadow

Marty Connors

All of his songs seem to exist in a permanent state of heartbreak. I usually have no problem with a good heartbreak song. If anything, I gravitate toward them. But, Fitzsimmons can't seem to find anything else to write about.

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Snow Patrol

Fallen Empires

Chad W. Lutz

Throughout the 14-song LP, Fallen Empires explores themes of triumph and redemption in the face of adversity and oppression. Songs like “This Isn’t Everything You Are” (4:57), title track “Fallen Empires” (5:19), and “Lifening” (3:52) all lend to a move toward something bold and something better; the common and overarching theme of the album.

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Primus

Green Naugahyde

Chad W. Lutz

Primus fans should definitely be pleased with their latest release along with your average metal head and rocker.

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St. Vincent

Strange Mercy

Jason Turner

Strange Mercy is in unquestionable success; it’s luscious, imaginative, haunting and beautiful. A fresh album from an emerging superstar with a Bjork-like esthetic.

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Stephen Malkmus and the Jicks

Mirror Traffic

James Wickens

Mirror Traffic, the fifth release from Stephen Malkmus and the Jicks, represents the clearest articulation yet of the S.M. aesthetic.

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My Morning Jacket

Circuital

Brian Ahnmark

Ultimately, Circuital feels like a waste of talent.

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Incubus

If Not Now, When?

Chad W. Lutz

The new album showcases a band trying to progress without losing what is essentially Incubus.

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Taking Back Sunday

Taking Back Sunday

Aaron George

Taking Back Sunday has come a long way since 2002’s Tell All Your Friends, and in a sense they have grown musically, though “growth” here might be better called “perfecting” as the sound hasn’t changed much since Where You Want to be.

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The Dead Trees

WHATWAVE

Brian Ahnmark

The moral of the story? Life in a touring band is not necessarily glamorous.

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Flogging Molly

Speed of Darkness

Aaron George

Flogging Molly is back with their ninth release, Speed of Darkness. Any and all comments about how darkness does not travel will end with this one and we will just grant them artistic licence.

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The Felice Brothers

Celebration, Florida

Eamon Murphy

"Celebration, Florida" is another in the vein of unique musical mishmash, but with a little something new. The band has taken the road not yet travelled, and I’m still not quite sure what to make of it all. Have the Felices gone a little bit electro on us?

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Travis Barker

Give the Drummer Some

Aaron George

For Give the Drummer Some the age old but usually misguided formula of “Cram as many big names in as you can and hope that makes it good” seems to have been followed devoutly.

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Panic! At The Disco

Vices and Virtues

Megan Eidelbach

The songs themselves are obviously different in many ways, with a variety of styles and experimentation. The album so far has gotten mixed reviews, most of the positive recalling the mixture of sound and instruments, and the negative attacking Urie's obvious lyrical naiveté.

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